Press | Emanuela Zampa Photography

Press

This section gathers selected press appearances featuring my work as a documentary photographer and photojournalist, including editorial uses of individual images and published reportage projects.
The materials shown are excerpts from newspapers, magazines, and online publications where my photographs have been used in journalistic and documentary contexts.

Published in The Guardian, article “Photos of the day - Friday”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in The Guardian — “Photos of the day – Friday”

Published in ELLE, article “Achille Lauro torna a Sanremo da eroe (e da 'felicemente single')”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in ELLE — “Achille Lauro torna a Sanremo da eroe (e da ‘felicemente single’)”

Published in ELLE, article “Sanremo 2026, la diretta della conferenza stampa della seconda serata: le parole di Achille Lauro e Pilar Fogliati”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in ELLE — “Sanremo 2026, la diretta della conferenza stampa della seconda serata: le parole di Achille Lauro e…

Published in Vanity Fair, article “Carlo Conti a Sanremo 2026: <>”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Carlo Conti a Sanremo 2026: <>”

Published in ELLE, article “Testo della canzone 'Mi sono innamorato di te' cantata da Chiello a Sanremo 2026”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in ELLE — “Testo della canzone ‘Mi sono innamorato di te’ cantata da Chiello a Sanremo 2026”

Published in Vogue, article “Bianca Balti a Sanremo 2026, i suoi look firmati Maison Valentino di Alessandro Michele raccontati con parole e immagini esclusive”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vogue — “Bianca Balti a Sanremo 2026, i suoi look firmati Maison Valentino di Alessandro Michele raccontati con…

Published in Amica, article “Sanremo 2026 - tutti i look”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Amica — “Sanremo 2026 – tutti i look”

Published in Rolling Stone, article “Dopofestival 2026, il festino bilaterale che prova a rianimare l'originale”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Rolling Stone — “Dopofestival 2026, il festino bilaterale che prova a rianimare l’originale”

Published in [Testata], article “[Titolo articolo]”, [anno]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in [Testata] — “[Titolo articolo]”

Published in Vanity Fair, article “Estefanía de Mónaco recupera un vestido que estrenó en 1996 para la gala de la fundación de María Bravo que su hija Camille ha llevado a Montecarlo”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Estefanía de Mónaco recupera un vestido que estrenó en 1996 para la gala de la…

Published in Vanity Fair, article “Estefanía de Mónaco recupera un vestido que estrenó en 1996 para la gala de la fundación de María Bravo que su hija Camille ha llevado a Montecarlo”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Estefanía de Mónaco recupera un vestido que estrenó en 1996 para la gala de la…

Published in Vanity Fair, article “Estefanía de Mónaco recupera un vestido que estrenó en 1996 para la gala de la fundación de María Bravo que su hija Camille ha llevado a Montecarlo”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Estefanía de Mónaco recupera un vestido que estrenó en 1996 para la gala de la…

Published in Vanity Fair, article “Estefanía de Mónaco recupera un vestido que estrenó en 1996 para la gala de la fundación de María Bravo que su hija Camille ha llevado a Montecarlo”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Estefanía de Mónaco recupera un vestido que estrenó en 1996 para la gala de la…

Published in Wired, article “Le tute dei tedofori di Milano Cortina sono il nuovo business nato online”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Wired — “Le tute dei tedofori di Milano Cortina sono il nuovo business nato online”

Published in Vanity Fair, article “Bianca Balti a Sanremo 2026, un look pieno di speranza per la conferenza stampa del festival”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Bianca Balti a Sanremo 2026, un look pieno di speranza per la conferenza stampa del…

Published in Vanity Fair, article “Bianca Balti a Sanremo 2026, un look pieno di speranza per la conferenza stampa del festival”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Bianca Balti a Sanremo 2026, un look pieno di speranza per la conferenza stampa del…

Published in Vanity Fair, article “Bianca Balti a Sanremo 2026, un look pieno di speranza per la conferenza stampa del festival”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Bianca Balti a Sanremo 2026, un look pieno di speranza per la conferenza stampa del…

Published in Vanity Fair, article “Sanremo 2026: Laura Pausini con quei glass hair che più riflettenti non si può e le pagelle dei beauty look in prima serata”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Sanremo 2026: Laura Pausini con quei glass hair che più riflettenti non si può e…

Published in Il Manifesto, article “Cover page: Continua”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Il Manifesto — “Cover page: Continua”

Published in Il Manifesto, article “Cover page - Eccellenza Italiana”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Il Manifesto — “Cover page – Eccellenza Italiana”

Published in Wired, article “sciopero del 3 ottobre, cosa sapere dopo la pronuncia del Garante su cortei, precettazione e servizi garantiti”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Wired — “sciopero del 3 ottobre, cosa sapere dopo la pronuncia del Garante su cortei, precettazione e servizi…

Published in Rolling Stone, article “Riccardo Rudino dei portuali di Genova: <>”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Rolling Stone — “Riccardo Rudino dei portuali di Genova: <>”

Published in Internazionale, article “Fermare Israele un container alla volta”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Internazionale — “Fermare Israele un container alla volta”

Published in Wired, article “Cosa è successo dopo l'abbordaggio alla Global Sumud Flottilla da parte di Israele”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Wired — “Cosa è successo dopo l’abbordaggio alla Global Sumud Flottilla da parte di Israele”

Published in Il Post, article “Foto del giorno”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Il Post — “Foto del giorno”

Published in The Guardian, article “Photos of the day - Friday”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in The Guardian — “Photos of the day – Friday”

Published in Il Manifesto, article “Gagauzia, snodo filorusso nel cuore della Moldavia”, [2022]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Il Manifesto — “Gagauzia, snodo filorusso nel cuore della Moldavia”

Published in Il Manifesto, article “Gagauzia, snodo filorusso nel cuore della Moldavia”, [2022]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Il Manifesto — “Gagauzia, snodo filorusso nel cuore della Moldavia”

Published in Vanity Fair, article “Arisa a Sanremo 2026: «Se ci fossero stati i social, Mia Martini non si sarebbe suicidata. Per gli uomini avrei lasciato tutto, anche la musica, per fortuna non l'ho fatto»”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Vanity Fair — “Arisa a Sanremo 2026: «Se ci fossero stati i social, Mia Martini non si sarebbe…

Published in Gente, article “Achille Lauro: 'Io mina vagante? A Sanremo c'è solo un capitano: Carlo Conti'. Il brano per Cras-Montana”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Gente — “Achille Lauro: ‘Io mina vagante? A Sanremo c’è solo un capitano: Carlo Conti’. Il brano per…

Published in Mundo ao Minuto, article “Centenas manifestam-se apoos queda de Maduro”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Mundo ao Minuto — “Centenas manifestam-se apoos queda de Maduro”

Published in Marie Claire, article “Non avevo previsto lui, il cavaliere che ha spezzato le catene di questo Sanremo turbocapitalista
”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Marie Claire — “Non avevo previsto lui, il cavaliere che ha spezzato le catene di questo Sanremo turbocapitalista…

Published in Harper's Bazaar, article “Laura Pausini se inspira en uno de los looks más transgresores de Rosalía para actuar en el Festival de San Remo”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Harper’s Bazaar — “Laura Pausini se inspira en uno de los looks más transgresores de Rosalía para actuar…

Published in Cosmopolitan, article “Sal Da Vinci in gara a Sanremo 2026 con 'Per sempre sì': testo e significato del brano”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Cosmopolitan — “Sal Da Vinci in gara a Sanremo 2026 con ‘Per sempre sì’: testo e significato del…

Published in Elle, article “Piccolissimo ma fondamentale recap della quarta serata di Sanremo 2026”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Elle — “Piccolissimo ma fondamentale recap della quarta serata di Sanremo 2026”

Published in [Testata], article “[Titolo articolo]”, [anno]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in [Testata] — “[Titolo articolo]”

Published in Islands, article “10 Things to know Before Watching The 2026 Winter Olympics in Italy”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Islands — “10 Things to know Before Watching The 2026 Winter Olympics in Italy”

Published in Bunte.de, article “Αlexandre Grimaldi posiert mit Schauspielerin Eva Longoria”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Bunte.de — “Αlexandre Grimaldi posiert mit Schauspielerin Eva Longoria”

Published in Figaro GR, article “Αlexandre Grimaldi | Ο 22χρονος γοητευτικός γιος του πρίγκιπα Αλβέρτου στο ίδιο γκαλά με τη Στεφανί του Μονακό”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Figaro GR — “Αlexandre Grimaldi | Ο 22χρονος γοητευτικός γιος του πρίγκιπα Αλβέρτου στο ίδιο γκαλά με τη…

Published in Elle, article “Un'eredità di charme e famiglia”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Elle — “Un’eredità di charme e famiglia”

Published in El Pais, article “Una exposiciòn de Van Dyck como excusa para visitar Génova, la ciudad italiana a veces eclipsada”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in El Pais — “Una exposiciòn de Van Dyck como excusa para visitar Génova, la ciudad italiana a veces…

Published in Welt, article “Die besten Bilder der Woche”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Welt — “Die besten Bilder der Woche”

Published in [Testata], article “[Titolo articolo]”, [anno]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in [Testata] — “[Titolo articolo]”

Published in NBC NEWS, article “Trump says U.S. is 'in charge' of Venezuela and sends warning to interim leader”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in NBC NEWS — “Trump says U.S. is ‘in charge’ of Venezuela and sends warning to interim leader”

Published in [Testata], article “[Titolo articolo]”, [anno]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in [Testata] — “[Titolo articolo]”

Published in Reader's Digest, article “Here's What the Olympic Flame Symbolizes”, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Reader’s Digest — “Here’s What the Olympic Flame Symbolizes”

Published in RaiNews, Milano Cortina Olimpics special coverage, [2026]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in RaiNews — Milano Cortina Olimpics special coverage

Published in Il Manifesto, article “Il decreto Ilva in Senato, la crisi dilaga nell'indotto”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Il Manifesto — “Il decreto Ilva in Senato, la crisi dilaga nell’indotto”

Published in Il Manifesto, article “Sciopero per la Flotilla, parte il procedimento contro i sindacati”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Il Manifesto — “Sciopero per la Flotilla, parte il procedimento contro i sindacati”

Published in The Herald, article “Palestine protests in Italy cause flight delays, cancellations”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in The Herald — “Palestine protests in Italy cause flight delays, cancellations”

Published in Brussel Signal, article “Many thousands hit streets of Italy to protest ‘Gaza genocide’”, [anno]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Brussel Signal — “Many thousands hit streets of Italy to protest ‘Gaza genocide’”

Published in Gente, article “Silvia Salis, la donna che mette paura a Schlein e Meloni”, [2025]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Gente — “Silvia Salis, la donna che mette paura a Schlein e Meloni”

Published in Dazed, article “The Global Sumud Flottilla's mission has only just begun”, [anno]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Dazed — “The Global Sumud Flottilla’s mission has only just begun”

Published in Jacobin, article “Francesca Albanese and the Palestinian Fight for Survival”, 2025. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Jacobin — “Francesca Albanese and the Palestinian Fight for Survival”

Published in The Guardian, article “Thousands protest in solidarity with Gaza on second day of Italian strikes”, [anno]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in The Guardian — “Thousands protest in solidarity with Gaza on second day of Italian strikes”

Published in The Guardian, article “Israeli naval forces board pro-Palestinian flotilla 75 miles from Gaza”, 2025. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in The Guardian — “Israeli naval forces board pro-Palestinian flotilla 75 miles from Gaza”

Published in [Testata], article “[Titolo articolo]”, [anno]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in [Testata] — “[Titolo articolo]”

Published in ELLE, article “Photogallery from manifestations across Italy”, [anno]. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in ELLE — “Photogallery from manifestations across Italy”

Published in Politico.eu, article “Dockworkers from across Europe gather to plan trade squeeze on Israel”, 2025. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in Politico.eu — “Dockworkers from across Europe gather to plan trade squeeze on Israel”

Published in El Confidencial (ES), article “En Italia, el Tercer hombre podria ser una mujer:Silvia Salis desafia a Meloni”, 2025. Documentary photography by Emanuela Zampa. Screenshot of the original editorial layout, preserving image placement and credits.

Publication in El Confidecial— “Silvia Salis desafia a Meloni”

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